Kansainväliset hankinnat
| 
 | |
| 
 | |
|  | BEST BAD BOY             A captivating family drama with a hard core “how to raise the best kid in town” dilemma playing out loud in modern suburban America and the rae nature of Utah’s red Rocky Mountains. | 
| 
 | |
|  | THE ACT OF KILLING             A documentary that challenges former Indonesian death squad leaders to reenact their real-life mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. | 
| 
 | |
|  | FROM TEXAS TO TEHRAN             About 20 Americans play professional basketball in Iran. One of them is the point guard on Tehran's Saba Battery - a team sponsored by Iran's Ministry | 
| 
 | |
|  | GHETTO             In GHETTO, Director Eugene Jarecki ("Why We Fight") looks at America's War on Drugs and gives a historical overview and weaves unforgettable personal stories with groundbreaking commentary from a "who's who" of the leading proponents and opponents in this tragic and unending crisis. | 
| 
 | |
| 
 | |
|  | JALANAN             Jalanan intimately portrays the lives of Boni, Ho and Titi - three gifted yet marginalized Jakarta bus musicians and paints a striking portrait of Indonesia's frenzied capital city that is raw, humorous and brutally honest.  | 
| 
 | |
|  | POOR CONSUELO CONQUERS THE WORLD             A story of popular soap operas and telenovelas, now being used to combat the effects of poverty around the world. | 
| 
 | |
|  | VÅR MANN I KIRKENES (aka Finnmarken–Welcome Home)             A film about the local journalist Hallgeir, who struggles with his role as a journalist in the tiny community of Kirkenes. In a place where everybody knows everybody, and where Hallgeir often is the only one at work, it seems difficult to be the critical and investigative journalist he longs to be. | 
| 
 | |
|  | VIVAN LAS ANTIPODAS!             Victor Kossakovsky takes us on a unique trip around the globe – to the world's few places, situated exactly opposite each other. With breathtaking images and a stunning montage Kossakovsky approaches the philosophically appealing and politically delicate subject of the antipodes.  | 
| 
 | |


