IDFA III
Second day of the Forum, better atmosphere, better projects in general and a proof that the pitching sessions in a smaller room with around 10 broadcasters and film funders around the table, that this extra-to-the-big-room-format work well and can give a good dialogue. At least for an observer like me, but maybe not for the filmmakers presenting their project who hear positive remarks and ”let’s talk more” followed by a one-to-one meeting where the editors are more outspoken and often say ”I don’t have a slot for this”.
I am afraid that this was the case for Hungarian director Guyla Nemes, a Filmmaker, who has won prizes for his cinematic works, but this time had a topic that could fit for television (”recycling”/”how do we deal with our garage”) but presented visual material that is far from what most television channels go for today.
More focused on the market is another Eastern European film project, presented by Tomas Kudrna from Czech Republic. ”All that Glitters”, on a rough cut stage, filmed in Kyrgyzstan, the story about a small village and its inhabitants, whose lives will be completely changed by the presence of a gold mine company run by the Canadians.
In the big room I attended the strong presentations by two Nordic companies. Finnish John Hakalax and his film about legendary ski jumper Matti Nykänen, ”by his own Words” was a winner through a powerful humourous trailer that teased everyone – followed by Swedish/Armenian Suzanne Khardalian’s ”Grandma´s Tattoos”, very touching: ”my gradmother was raped in front of the eyes of her sister”. Knowing what Khardalian and her producer PeÅ Holmquist have done together, including ”Her Armenian Prince” (PHOTO), I can only say that this will be a fine film.
